From a story in the manner of "The Manuscript Found in Saragossa", it might look like "The Ring" a multidimensional chapter of that work, "about a curse spreads as a mysterious infection, followed by a fable explicitly titled "The Wolf Man," as such-oriented, yet the mechanism of myth itself, and continuing a conversation rather strange but talkative and relaxed with a final surprise - " unexpected guests "- this revealing collection of Russian fairy tales with which almost opened the new publisher last year Nevsky Prospects-publisher specializing in literature of that country and anyone who ever stepped into its composition Cyrillic- this revealing compilation covers the first three examples with a steppe landscape, deeply rooted in rural, condensed in superstitions and spells, to move to the busy urbanite scenario of "selling pastries," the longest and most intense story of the lot, with more genuinely gothic flare-understood as a fascination with indoor and oppressive "in the collection. As extras, an unfinished and somewhat surreal Lermontov, perhaps a priori, the author best known of this selection, one with which illustrated the good of Edwyn Collins his "Dr. Syntax" - with a "Stuss" playing with time and space solutions and incomplete clues on what might be assumed, making use of personal vagary, as a precursor that involuntary "The house on the edge of the Earth" by Hodgson. "The island of Bornholm, bucolic and horrifying, romantic and elusive, concludes this sampling of what was a piece of the Russian folk misty, hidden and merciless that emerges in our language now, like so many works, covering all types of genres, disciplines and periods, which promises Nevsky, determined to bring to light the lesser-known profile already established authors (Pushkin, Dostoevsky), and other far less ubiquitous and by no means negligible, as we test this brief but useful anthology -all early nineteenth century, "rigorous and adjusted his approach.
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