Mexico, a country inhabited since ancient times by the picture in its various expressions, get another that echoes in the twentieth century, the original numbered and their creators. Since pre-Hispanic seals, Posada's engravings and subsequent to the comprehensive record of current recorders we bridge for dialogue with Brazil. Country in which the prints of string, the stamps worked for many Brazilian writers in the twentieth century and recent pictures, state consistency in expressions. 
Since catalogs, documents, allowed to settle here that "the current eight" has been preceded by a very good exhibition will travel to different Brazilian Mexico City three years ago but found no echo in the spaces presented Xalapeños. That, with more participants, curated and production-director Eduardo Bezen Gravura Gallery Brasileira, "and with the collaboration of the artist Sheila Goloborotko, closed a chapter. The following makes you feel the razor's edge of the second decade of the century. In one version 
abbreviated and conceptually strong, curated by the undersigned, "the current eight" open a critical debate about modernity and the contemporary. 
| Brazil in the contemporary critical debate fuels the discussion about art. Until 15 years ago, the noted artists of that country did not seek international eyes. In every conversation, you heard the naive statement of all locally-focused products from rice to the beach, from literature to the industry, "... the best in the world." Without political nationalism but intensely love their land, Brazilian artists have been producing significant works in all branches of visual arts. The modern trans turned to accept the 'out', leaving his beloved country. In the second paragraph judgments about the changes that "the current eight" offers. Art critic and curator, every time you express an opinion should come from research, study, comparison and discussion. The result are obvious. Curator Graciela Kartofel 
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