Santing Mathilde, "Water Under the Bridge" (1984) Jane Siberry
Turned
for many years in a grand dame of European song, Mathilde Santing was structured almost all of his repertoire based on pristine and earnest approach that has led him to integrate into their recordings a roster of composers, but always colorful carefully chosen as Elvis Costello, John Cale, Todd Rundgren and Roddy Frame and others, as well as other classics that mostly were in the voices of Sinatra, Nat King Cole or Ella Fitzgerald.
But there was one time that this was not done and the contributions themselves were able to complete an album that is remarkable not just for this peculiarity, but also for his kindness and his unwavering validity. Escorted by Dennis Duchhart, something like the "guy for all" new wave of Dutch tulip collaborator as abrasive post-punk like The Tapes or Minny Pops, "a more than competent and ductile assembly of melodies and insightful arrangements Santing nearly debut-lp this is his second with a hard-drinking both in the ways of the jazz standard and the electronic pop liquefied the early eighties. In short, closer to the subsequent Anna Domino, which would give an arm and end up signing a record-o Alison Statton that Virna Lindt.
Mini-lp for more sign-extended one year after with three extra songs for the then new CD release, "penetrates solemn and silent as a spider with" Too much "under a path-breaking speech, remote memories and attempts to overcome, which will be in Our Days" - "Now we've Been Through all this trouble / there 'sa chance Our luck will double - a healthy choice, in the midst of a rate more pert. Desolation, "Turn Your Heart" underscores a chorus with apparent carelessness pleading - "Can you turn your heart like you turn your head?" -. The tropical tempo suggested "All the fun" sounds graceful - do not appear until choirs sing with a smile? - and claims cleared of heart problems and enjoy eternal pleasures like going back to listen to Brian Wilson or go out and buy flowers. But even so, is it so difficult to choose between "Sweet nothings" and sadness?. It seems so, so do not commit to-other-mending broken hearts.
planner for "It May Not Be So alwas" and the sleeper "Maggie & Millie & Molly & May", Mathilde yield to EE Cummings's verse, and in their own "Water under the brigde" will pop miniaturist Fay Lovsky, who then walked with similar concerns, there is his "Cinema" to corroborate, "which words reflect the loss and its unstoppable solution. Although the book was last printed in terse Mathilde "Boat Trip", will return to hide in the fabric of the mite.
A lost masterpiece in a career teaching subjects outside crammed as an isolated and unexpected boat rocked by a stream tenacious and greedy.
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