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From a story in the manner of "The Manuscript Found in Saragossa", it might look like "The Ring" a multidimensional chapter of that work, "about a curse spreads as a mysterious infection, followed by a fable explicitly titled "The Wolf Man," as such-oriented, yet the mechanism of myth itself, and continuing a conversation rather strange but talkative and relaxed with a final surprise - " unexpected guests "- this revealing collection of Russian fairy tales with which almost opened the new publisher last year Nevsky Prospects-publisher specializing in literature of that country and anyone who ever stepped into its composition Cyrillic- this revealing compilation covers the first three examples with a steppe landscape, deeply rooted in rural, condensed in superstitions and spells, to move to the busy urbanite scenario of "selling pastries," the longest and most intense story of the lot, with more genuinely gothic flare-understood as a fascination with indoor and oppressive "in the collection. As extras, an unfinished and somewhat surreal Lermontov, perhaps a priori, the author best known of this selection, one with which illustrated the good of Edwyn Collins his "Dr. Syntax" - with a "Stuss" playing with time and space solutions and incomplete clues on what might be assumed, making use of personal vagary, as a precursor that involuntary "The house on the edge of the Earth" by Hodgson. "The island of Bornholm, bucolic and horrifying, romantic and elusive, concludes this sampling of what was a piece of the Russian folk misty, hidden and merciless that emerges in our language now, like so many works, covering all types of genres, disciplines and periods, which promises Nevsky, determined to bring to light the lesser-known profile already established authors (Pushkin, Dostoevsky), and other far less ubiquitous and by no means negligible, as we test this brief but useful anthology -all early nineteenth century, "rigorous and adjusted his approach.

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Russian Gothic Macario (Roberto Gavaldón, 1959) The Particles



Other things perhaps, but the hypocrisy beyond the fair. The Mexican people always had a proud gala algremente ability to live with their dead, as it reflects the epic poem dedicated to Thanatos. Since contact of the ancestral village, long before the transatlantic invasion mixed with the symbolism and the rigor of Christianity, the day of the dead becomes a pagan festival, where the black humor found in it a raft of oil where they can show their most hilarious and lucid, "because we spend more time dead than alive ...."


The extreme
poverty that envelops you the protagonist dreams hyperbolic including: Death, like Saturn devouring his children, "I will remain as a curious lifeline suicide solution: eat a turkey and he just burst until exhaustion in the act . Since that time, ordered him to target a deadly game: to have to bow to external pressures rather than succumb to the temptation bulimic. Beginning with his own offspring, a bunch of stubborn children and merciless, that at times remind others like "The Village of the Damned" or "Who can kill a child?". Save this first hurdle, Macario have to be new dodging temptations of the devil (played in a hilarious villain), the same God (in the shape of an uncertain pilgrim) and, finally, the Wandering Jew or death itself, which will be preceded by a melt function as an illusion stage on the experience of leading lumberjack. A transition that will become hoffmanesco passage (echoes of "The Elixir of the Devil"), Faustian, when the last occurrence, after a difficult Solomonic solution by Macario, gives the gift of healing through the holy water the latter will provide great wealth, though hardly infinite.



From that moment, Macario achieved overcome fears, tight-fisted (represented in a mixer nobility of all wealth) and displace as influential professionals such as doctors and undertakers, which will temporarily unemployed when the verdicts be the salvation of the dying (if the wanderer makes an appearance at the foot of the patient and not the head), and the interest of the church, attracted so much prosperity caused by such a miracle. Too many fireworks to go unpunished before the Inquisition (detailed in a carefully staged: the members of this order will speak at the Castilian of the Skin bull), uncompromising and powerful, which will put a stop to so much suspicion of heresy loose.
Excellent work (which some relate to Buñuel's "Simon of the Desert"), with a final deep and poetic, this meticulous author and academic, which we already have in the room other films mythical Aztec film as "The Goddess kneeling "or" night moves. "

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One of the greatest albums of the eighties, never sufficiently recognized, is the "Midnight Shift" Dislocation Dance, one of the many combos of elegant, polished pop that filled the stage Islands British in the early eighties. That album was the pinnacle in the career of a group that started in the plumbing of the post-punk, that is, with a rougher sound and imbued with sharp guitars and syncopated rhythms. However, this phase mainly represented by the album "Music music music" despite being taken into consideration, it is little more than anecdotal or even unworthy, for very intense and Roma in the final result, compared to the refined, intuitive and amazing mix of sixties-Bacharach air passed through the filter of Dolly Mixture or Trixie's Big Red Motorbike in the spotlight and dance-pop. What I like to call as 'lunch pop' or songs ideal for a day in the field or barbecue with a private pool.



In this latter nurtured Particles The Australians, with the peculiarity of having begun to do so when they went Dislocation Dance still mulling their "music music music" and had not yet unfolded the wrinkled suit. But why so much interest in coming up with the British to talk about The Particles?. For the first time I heard this, I decided to draw an imaginary perfect discography coupling the complete evolution of Particles (three ep's covering the years 1979 and 1983) and the drive for emancipation the first, eye, 1984. Reasons? Also common influences, many more similarities. The female vocals are surprisingly very similar tone. The use of the trumpet, in the case of Particles from the 3rd ep, "I Luv Trumpet" - against a backdrop of guitars and drums that look neat, if in some cases are not "scheduled. All that and something more, which would lead, to understand from the point of view, Swing Out Sister.



And it can be concluded that The Particles-diluted before in other bands like Cannanies without grace quarter were neither more nor less than Dislocation Dance without more sophisticated, its earliest version and definitely more valid than that of the authors of "I'm doing fine." Would we listen to them to the antipodes to the design of songs like "Show me" or "Violette"?. Either way, an association very nearly frightening.